Showing: 1 - 1 of 1 RESULTS

Still, the SL3 is a good value, making it one of the best DSLR cameras for beginners, and one of the best cameras overall. There are enough features to allow those interested to explore all facets of photography — while learning about fundamentals such as shutter speed, aperture and depth-of-field via the onboard help system. But you can just as easily use it as a point-and-shoot camera.

Vloggers will likely make this their go-to camera thanks to its side-hinged, fully articulated touchscreen. Canon is one of the few companies that seems to realize the importance of a fully articulated monitor and, despite being an entry-level model, the SL3 features a side-hinged touchscreen LCD, like its predecessors have. Vloggers will especially love this feature. Thanks to the vari-angle screen, I was able to capture this low angle shot without having to get on the floor.

The touchscreen is very responsive and fully functional — you can touch it to focus and scroll through menus, select settings, and swipe through images in playback. Using the Live View monitor instead of the viewfinder provides users with a real-time view of settings adjustments.

This is new for the SL3 and a great learning tool. Change the white balance and the results are immediately visible. The latter works well when tracking a subject, keeping the focus on their eye. External buttons are clearly labeled, and the menu system is well organized and easy to navigate. This visual communication on how shutter speed affects a moving subject is clear, concise and easily understood.

I shot test images with the Standard Picture Style settings, but optional Picture Styles Auto, Neutral, Portrait, Landscape and more settings can be tweaked to adjust parameters such as saturation, sharpness, contrast, etc. And, if you decide that you want to add a little style after the fact, you can use the Creative Assist feature to adjust saturation or apply tones sepia, blue and others to your RAW images and save them as new JPEGs.

The SL3 does a good job of balancing highlights and shadows in settings with a lot of contrast. The images retain details in darker subjects, like this barn with a bright blue sky overhead.

ISO ranges frombut if you want to take pictures in low light, try to keep the camera at or below ISO Sure, the videos look good,with pleasing colors and generally accurate AF. At 30p, footage — particularly of fast-moving subjects — is likely to be a little jerky. That said, flash exposure was generally accurate and produced even coverage.

Canon EOS Rebel SL3 Review: A DSLR for Beginners, with 4K Video

Canon changed the hot shoe for the SL3 and removed a sync pin, which allows third-party flashes and triggers to be used with the camera. Right now, the only external flashes that will work with the SL3 are those manufactured by Canon. But it is something to be aware of. With the Canon ELS Rebel SL3, photographers get the basics in a tried-and-true form factor with a solid — if not overly sophisticated — set of features.

And, thanks to its guided menu and built-in help, the SL3 is an excellent learning tool. Battery life is great at 1, shots-per-charge, and beginners will make good use of its built-in help system. Despite a few drawbacks, such as a proprietary hot shoe and a flash that must be manually activated, the Canon Rebel SL3 is a very good beginner camera — and one of the few that records video in 4K. Tom's Guide. Home Reviews. For Good image quality Fully articulated touchscreen Excellent battery life Easy to use Compact and lightweight 4K video.

Against Modest number of AF points viewfinder Video limitations Not compatible with third-party flash units. Articulated touchscreen Canon is one of the few companies that seems to realize the importance of a fully articulated monitor and, despite being an entry-level model, the SL3 features a side-hinged touchscreen LCD, like its predecessors have.

See all comments 0.When you need want the smallest camera possible, a camera ready to go everywhere with you, but do not want to give up DSLR features, including the excellent image quality these provide, the SL3 immediately jumps to the forefront of your options list.

While this camera is really small, it still has the DSLR features you have come to love including a through-the-lens TTL optical viewfinder, fast phase detection AF, very long battery life, a responsive shutter release and a grip that places you in control. You may have recognized that I lifted some of that intro from the SL2 review's intro. While the SL2 and SL3 increased very slightly in size, the features that caused that increase are certainly worth the additional dimensions.

I hate to leave you disappointed, so This camera will be found highly attractive to families wanting great image quality from a camera that is convenient to always have with them.

The SL3 is a great travel camera and those hiking long distances will also find the SL3 favorable. As with all APS-C format cameras, a selected lens' focal length will provide an angle of view similar to that of a 1.

canon sl3 battery

Obviously, the APS-C format is huge relative to the size of the imaging sensors in mobile phones and point-and-shoot style cameras. Image quality, especially in low light, is a huge advantage that larger sensors bring. As mentioned, the SL3 inherits the same imaging sensor found in That is a very positive feature as this is a great sensor and Canon makes use of volume production for cost efficiencies that all of us can appreciate.

You will notice that the SL3's effective MP count drops by 0. The reason for this change is that some of the pixels are taking on a supporting role, being used for other purposes, such as AF. Twenty-four megapixels has become Canon's APS-C standard issue at this time and this resolution is very high. Resolution is a key image quality factor to evaluate and the site's image quality tool is well-suited for that.

Unfortunately, that link shows the M50 results — the SL3 does not have a center hot shoe pin and therefore, we can't trigger the remote third-party strobe lights required to obtain the SL3 test results. Expect the SL3 to perform identically to the M With APS-C Use the tool to learn how diffraction affects sharpness and you will be prepared to make a knowledgeable decision in the field.

As pixel density increases, the signal-to-noise ratio per-pixel decreases unless other technological advances are involved. Canon has been standardized on 24 MP APS-C sensors for years and this sensor has been delivering very nice results in regards to noise. The Kodak Color Control Patches shown in the standard ISO noise test results are generated from RAW images with and this is key no noise reduction unless specifically indicated by the result set.

These evenly-colored patches make any image noise readily apparent. Keep in mind that many real-world subjects are more detailed and better hide noise, meaning these samples represent a worst-case scenario. Also note that the low default sharpness setting used in the sample results slightly helps to keep noise tamed and this camera seems to be adjusting the sharpness scale downward slightly from some previous models. The big question is, how apparent is the difference between camera models? If you can't see the difference in the color blocks, you will not likely discern it in your images either.For those looking for our Overview of the camera's features and specs, please click here.

For that first test, I took the SL3 along with its kit lens and three other optics for an impromptu roadtrip to Kingsport and Jonesborough, Tennessee. In my earlier report, I compared the SL3 to its nearest rivals from Nikon and Pentax, the only other companies still making affordable, sub-frame DSLR cameras like this one. I also discussed its build and handling, including its pentamirror-based optical viewfinder and some of the control changes since the previous generation.

I also took a look at daytime image quality and performance, tested the SL3's Wi-Fi and remote capture functionality, and looked at its friendly new Creative Assist mode, too. It proved to offer good image quality and decent performance for its class. It's also pretty light and compact enough to fit in a small camera bag, along with lenses covering everything from 16mm to mm-equivalents.

I didn't have room to look at everything in that first field test, however. In this second test, I'll be looking at a few things in particular.

canon sl3 battery

I promised a side-by-side comparison of raw and C-Raw file formats, and also promised to give eye-detection autofocus a whirl. I also saved high-sensitivity and long-exposure shooting in low light for the second test, as I usually do, and likewise video capture both day and night.

And finally, I also want to talk about both the Canon SL3's flash hot shoe, and its battery and charging setup. But first of all, it's time for that C-Raw versus raw comparison. Let's dive right in and see how the two file formats compare! For those of you who're not already familiar with the difference, C-Raw is essentially a standard raw file which has had lossy compression applied to it to reduce the file size, trading off some image quality in the process while retaining unique advantages of raw like the ability to restore clipped highlights, change white balance without a loss of quality, etc.

Below, you'll find a series of crops from each version, with lossless raws in the left column, and lossy C-RAWs in the right column. Clicking on any of the thumbnails will take you to the full image. The overview image above, as well as the crops below, were all made using Adobe Camera Raw at its defaults, but with all noise reduction and sharpening sliders at the bottom end of their respective ranges. As you can see, there's really nothing to choose between the two, other than the fact that the C-RAW format offers significantly smaller file sizes, and thereby longer buffers too.

By way of comparison, the unprocessed raw image above weighs in at Effectively, you can almost double your raw storage capacity, for little if any noticeable difference in image quality.

Moving along to the eye-detection autofocus which Canon has added to live view mode, I gave it a whirl with some quick snapshots of my year old son Geoffrey, who gamely agreed to play along as Dad fiddled with settings and had him walk towards the camera repeatedly. For static or relatively slow-moving subjects, such as the portrait of my son sitting at the dining table in the shot above, eye-detection AF performed very well, indicating the location of the detected face with a white box on the live view display, and the location of the primary eye with another, smaller white box.

Only the latter remains once you press the shutter button halfway and focusing begins. As your subject moves, the box moves quickly to follow them. But once my son was up and moving about, I found the SL3's live view mode just wasn't fast enough to keep up with tracking faces at longer focal lengths. I still got a good few frames where focus was in the right place, but about as many frames where the camera failed to keep up with his motion and put the point of focus anywhere from a few inches to a few feet behind him.

I still think it's a very handy addition to the SL3's toolbox, as it's likely going to be used mostly for portraits of people staying still anyway, but it's worth knowing that it's of less utility for moving subjects. Although its resolution and sensor size are unchanged from the previous generation, the SL3 has both a newer image sensor and processor, so I was hopeful there would be some image quality improvements, and if I was going to see those anywhere it was likely to be at higher sensitivities.

Looking at our initial lab shots, it seemed that there was a noticeable advantage for the SL3 at ISO and above, and so that was where I initially focused my efforts. Seeking some colorful subjects for high-sensitivity and long-exposure shooting in low light, I headed to nearby downtown Knoxville, Tennessee, and made a beeline for Art Alley. A constantly-evolving selection of graffiti-style artworks that always has something new to offer my lens, it which tends to be dimly lit at the best of times, and hence makes for a great source of high ISO shots.

You'll see a selection of my efforts throughout this page as I can find space for it, but if you want more you'll find it in my Canon SL3 gallery, which now weighs in at around a hundred frames. I'd suggest right-clicking or on mobile, long-holding here to open the gallery in a new tab, which you can return to when you're done reading.

So what did I think of the Canon SL3 after getting out for a sunset shoot that extended through the blue hour into total darkness, or at least, as close to that as you can hope to get in an urban setting? I found the image quality fairly pleasing overall, although I think that much like the previous generation, it still trails the best competition by just a little.And it's not surprising, as the SL2 was a low-priced, competent camera that you could slip into a purse or small bag.

The new SL3 D, Kiss X10 isn't a dramatic departure from the SL2: it's still small, inexpensive and mostly up-to-date in terms of features. But more on that later. We're featuring the white version in this article, because we think it looks snazzy. No dual-pixel AF videoing is stunning. The harsh 4k crop is more understandable, but still, this really is a low-end camera but without a budget price. I'd missed the removed "standard" flash pin on the SL They have a whole section for "On top" and they omitted possibly the most important thing.

Canon saved a few cents by removing the center pin and broke comparability with all manual flash systems. I sincerely hope that the 9 points AF [other than the center point ] are more precise than in SL I'd like to introduce the SL3 killer The M The SL3's only purposes is as a warning light for chimps to keep tigers out of their den.

Like they turn it on.

5 Best Entry Level DSLR Cameras in 2019

Decent battery life. Better than the M You flip the screen around. Then you can face them. Make scary faces play the video back to the tigers and they don't come in.

Are you german or something captura? I have a really hard time imagining anyone not-german taking that literally. The SL3 killer is the M All the SL3 gets you over the M50 is a bulky less capable camera.

It gives you a camera with up to double the battery life, better ergonomics and the ability to use cheap EF or EFS lenses without needing an adapter. The M line may be a dead end. SL2 models, with the pin, are still available for discounted prices. OK if you don't need 4K. It's usually safe to get used gear from a reliable supplier with a good history and a good guarantee. FoxShutter: They're good for casual shooters.

Great image quality in a super-transportable package with an mm or 35mm f1. Primary gear?Family documentarians in need of a new Canon EF-mount camera will soon have another option to choose from, which its maker is calling the smallest and lightest EOS-series DSLR within the current lineup. The Canon SL3 is all but identical in size and weight to 's SL2, although it's just fractionally lighter, but it brings several important new features and improvements to the table. Key amongst the upgrades in the And battery life, too, has improved by a whopping two-thirds, addressing another of our cons for the earlier camera.

Other new features of the Canon SL3, some of them firsts for the EOS DSLR line, include eye autofocus in live view mode, a deeper raw buffer and an optional new compressed raw format, improved exposure metering in live view mode, a spot AF function, Creative Assist tool to help amateur photographers to get better results, and a fair few other changes besides.

Find out much more in our in-depth Canon SL3 preview! Previous Story Nikon P Review Conclusion: mm launches the superzoom into ultra-telephoto territory.It has a megapixel APS-C sensor9-point viewfinder autofocus system, a fully articulating LCD, and a 5-frames-per-second continuous shooting speed — all equal to the SL2. Many of the new features it does offer — including 4K video, point Dual Pixel Autofocuseye-detection autofocus, and Creative Assist mode — concern live view operation, where images are framed on the LCD screen rather than through the optical viewfinder.

In other words, when the SL3 basically behaves like a mirrorless camera. During a press call, Canon made it clear that are some people who still prefer an optical viewfinder, apparently, even when the headline features of a DSLR work only in live view mode.

But anecdotal evidence and sales numbers suggest this group of people can only be declining in number. The SL3 boasts a very impressive CIPA rating of 1, shots on a fully charged battery when using the optical viewfinder. This makes the SL3 a good option for travel, particularly camping and backpacking where you may not be able to charge the camera every day. It should also be an easy camera for new photographers to pick up and learn on — although, not any easier than the EOS M The Creative Assist mode lets beginners make creative adjustments that affect the live view image in real time, using touchscreen tools labeled in English.

Also new is the Smooth Skin setting, which we imagine will combine nicely with the degree rotating screen to produce perfect selfies. Previous Next. The best cameras for YouTube in 5 hours ago.

canon sl3 battery

The best digital cameras for 6 hours ago. The best cameras for street photography in 3 days ago. The best waterproof cameras for April 10, Get your Sagan on with 60 awe-inspiring photos of the final frontier 4 days ago.

The best monitors for photo editing 4 days ago. The best laptops for photo editing 4 days ago. The best webcams for 4 days ago. The best free photo-editing software for 3 days ago. How to delete and recover photos from your iPhone 3 days ago. How to hide photos on your Android phone or tablet 3 days ago. How to turn off the camera sound on an iPhone 3 days ago.The SL3 and M50 are differentiated only by their bodies, lens mounts, and viewfinders.

On the inside, they are all but identical.

The Canon EOS Rebel SL3 is a DSLR masquerading as a mirrorless camera

And unless you really need an optical viewfinder or battery life that can last a week, the M50 is the better buy. The processor has been upgraded to the Digic 8, but despite this, the ISO range ofand burst rate of 5 frames per second remain unchanged.

Not much has changed physically, either. The control layout is simplified with the removal of both the Wi-Fi button and a couple positions on the mode dial. It had a streamlined design with an uncharacteristically small grip that brought the camera down to The SL2 enlarged the grip for improved ergonomics at a slight cost to weight, but the SL3 has since shaved off a couple of grams. At Back inhowever, the SL1 was only competing against heavier DSLRs, which made it an attractive alternative to bulkier options.

The story is a bit different today. Customers looking for the slimmest possible camera have many other choices, including the Canon EOS M50 at just The SL3 must be more than just a compact camera to succeed.

Even the SL3 performs better in live view mode, when it operates like a mirrorless camera. Like any DSLR, the SL3 uses a mirror to reflect light from the lens up to a viewfinder, letting you see straight through the lens like looking through a window. The camera can feel hamstrung by the viewfinder, which puts limits on what you can do.

With the camera set to Scene Intelligent Auto mode the green box on the mode dialyou can tap the color palette icon in the lower right to bring up options for adjusting background blur, brightness, contrast, saturation, color tone, or more.

These plain-English controls let novice users experiment with things like f-stop and white balance. In live view, you can see the effect of your adjustments in real time, updated on the screen as you make changes. In any shooting mode, being able to see how the photo will look before you take the picture is a huge advantage of live view. Naturally, the optical viewfinder is useless in video mode. With mirrorless, there is no operational or performance difference between using the LCD screen or the electronic viewfinder.

That simplifies the learning curve. It can churn out a steady 5 frames per second for up to about 22 RAW photos.

Unfortunately, in live view, using servo focus slows continuous shooting down to just 3. In terms of accuracy, it does a decent job, with only a few misses here and there, but that is far too slow for a modern camera.

Previous Next 1 of RAW files have a decent amount of latitude for post-processing, and JPEG color and contrast look good right out of the camera.

For landscapes, portraits, and other still subjects, the SL3 can deliver excellent results. It also has a lot of distortion, and the limited amount of background blur it does give you is not rendered in a pleasing way. The SL3 can produce much better results than what the kit lens allows.

But upgrading to a better lens means spending more money and having more weight to carry around. As for video, quality is OK, but 4K comes with some serious drawbacks. It also allows for both 30 and 60 fps recording although, strangely, not The one objective advantage it maintains is battery life, with a CIPA rating of over 1, exposures per charge.

That one feature may be enough to give the SL3 an edge for certain customers.